Topper Headon | |
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Background information | |
Birth name | Nicholas Bowen Headon |
Also known as | Topper |
Born | 30 May 1955 Bromley, Kent, England |
Origin | London, England |
Genres | Jazz, soul, r&b, rock, punk rock, reggae, rock and roll |
Occupations | Drummer, percussionist, songwriter |
Instruments | Drums and percussion, bass guitar and occasional piano |
Years active | 1976 – present |
Labels | CBS Records (1977–1982), Mercury |
Associated acts | The Clash, Mirkwood Bobby Tench, Jimmy Helms, Mick Gallagher |
Nicholas Bowen "Topper" Headon (born 30 May 1955, Bromley, Kent, England), known as "Topper" due to his resemblance to Mickey the Monkey from the Topper comic, is a British rock and roll drummer, best known for his membership in the punk rock band The Clash. He is commonly recognized as the most inspirational and technically inventive punk rock drummer of the late 1970s and early 1980s. Writing for Allmusic Greg Pato stated that record producer Sandy Pearlman dubbed Headon as "The Human Drum Machine", due to his impeccable timing and drumming skills.[1]
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Topper Headon spent his early childhood in Crockenhill. He started playing drums at an early age and was a jazz fan, citing Billy Cobham as a strong influence. In 1973, Headon joined the cult progressive rock outfit Mirkwood. He appeared with them for a year and a half and they supported major acts such as Supertramp. He later played with a group which opened for American R&B legends The Temptations[1] and admits to falsely claiming that he played with The Temptations.[2]
Originally Headon joined The Clash with the intention of establishing a reputation as a drummer, before moving onto other projects, [1] but he soon realized their full potential and remained with them for four years. Headon appeared on the albums Give 'Em Enough Rope (1978), The Clash (1979 US version ), London Calling (1979), Sandinista! (1980) and Combat Rock (1982), as well as several landmark singles the Clash recorded during their early period. Also of note are his lead vocal on "Ivan Meets G.I Joe" from Sandinista and his work on the hit single "Rock the Casbah" from Combat Rock, on which Headon composed most of the music and played drums, piano and bass guitar. He also appeared on Super Black Market Clash (1993), which included B-sides from the band's single releases.
Clash singer/guitarist Joe Strummer is quoted as saying that Headon's drumming skills were a vital part of the band.[2] Tensions rose between Headon and his fellow band members due to his addiction.[1] and he left the band on 10 May 1982, at the beginning of the Combat Rock tour. The band covered up the real reason for Headon's departure, the apparent growing use of heroin, claiming Headon's exit was due to exhaustion.
In a later interview for the rockumentary Westway to the World, he apologised about his addiction and speculated that had he not been asked to leave The Clash the band might have lasted longer and might possibly still be together.[2] He also lamented the fact that the best known Clash line-up had been considering a reunion at the time of Strummer's death, after the positive reunion during the Westway to the World rockumentary.[2]
After leaving the Clash, he was considered as drummer in Mick Jones' post-Clash band Big Audio Dynamite [1] Headon subsequently focused on recording a solo album Waking Up (1986). He also released a cover version of the Gene Krupa instrumental "Drumming Man" as a single, which featured Headon's "DuKane Road" on the B-side. His own composition "Hope for Donna" was included on the Mercury Records sampler Beat Runs Wild, in the same year .[3]. During the 1980s headon produced albums for New York band Bush Tetras and contributed drums to Chelsea's Underwraps (1989), before becoming involved with a court case over his peronal drug habits.
He still makes occasional public appearances and it was after one of his shows that he was informed of the death of Clash frontman Joe Strummer. An emotional Headon stated:
“ | It's taken Joe's death to make me realise just how big The Clash were. "We were a political band and Joe was the one who wrote the lyrics. Joe was one of the truest guys you could ever meet. If he said 'I am behind you', then you knew he meant it 100 per cent".[4] | ” |
Headon was extensively interviewed for the Joe Strummer: The Future Is Unwritten documentary film about the late Clash frontman. He related his experiences during this period, how he became addicted to heroin and how there were problems before his dismissal. For example, Joe once slept with his girlfriend, which caused a lot of pain to Nick, and Mick Jones didn't want any bus-travelling without pot. Topper also said that seeing the video of "Rock the Casbah" with "someone else (Terry Chimes) in my place playing my song" caused him to fall in even greater depression and heavier drug addiction. It appears that his addiction was only part of the growing tension in the band that led to Mick Jones' dismissal a year later and the eventual break-up of the band in 1986.
On 11 January 2008, Carbon/Silicon, a new band with the lineup of Mick Jones, Tony James, Leo Williams and Dominic Greensmith, played a show at the Carbon Casino Club in Portabello London. Headon joined the band on stage during The Clash's "Train in Vain (Stand by Me)". An encore followed with Headon playing drums on "Should I Stay or Should I Go". This performance marked the first time since 1982 that Headon and Jones had performed together on stage.[5][6][7]
In a February 2008 newspaper article Headon revealed that in 2003 he started to experience serious back pain, a frequent complaint of aging rock drummers. Diagnosed with hyperkyphosis, a forward curvature of the back, he underwent intense posture adjustment treatment and continues to exercise daily. He notes that, on his recent appearance with Jones, he exhibited his new upright stance.
The BBC featured Headon in a February 2009 feature on drumming as therapy. He shares some of his story in a brief video interview.[8]
He currently lives in the Dover area of Kent, in the southeast of England.[9]
As a drummer, Headon often employed a distinctive style which emphasized a simple bass-snare up-down beat, accentuated with closed hi-hat flourishes. Such a method can be found in the songs "Clampdown", "Train in Vain", and "Lost in the Supermarket". His drumming on "Train in Vain" has been characterized as one of the most important and distinctive beats in rock music.[10] Writes Scott Kenemore, "[hi]s contribution to the music was tremendous, and his drumming remains an undiscovered treasure for too many."[10]
Topper Headon has released one studio album, one EP, and three singles as a solo artist and featured on several other artists albums.[11]
Year | Title | Record Label | Notes |
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1986 | Waking Up | Mercury 826 779-1 | with guitarist Bobby Tench[12] |
1986 | Beat Runs Wild | Mercury | Mercury Records sampler. Topper Headon features on track B5. "Hope for Donna" |
Year | Title | Label | Notes |
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1985 | Leave It To Luck / East Versus West / Got To Get Out of This Heat S.O.S / Casablanca | Mercury | with guitarist Bobby Tench |
Year | Title | Album | Record Label | Notes |
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1985 | "Drumming Man / Hope For Donna" | Mercury | 12" | |
1985 | "Drumming Man / Ducaine Road (12" Mix) | Mercury | 12" | |
1986 | "Leave It To Luck / Casablanca" | Waking Up | ||
1986 | "Leave It To Luck" | Waking Up | Mercury | |
1986 | "I'll Give You Everything / You're So Cheeky" | Waking Up | Mercury | 7" |
1986 | "I'll Give You Everything (Full version) / When You're Down Got To Get Out of This Heat (Extd Mix)(CAN)" |
Waking Up | Mercury | 12" |
1986 | "I'll Give You Everything (7" mix) / I'll Give You Everything (Dub Ruj) I'll Give You Everything (Douce Ruj) / You're So Cheeky"[13] |
Waking Up | Mercury | 12" |
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